L'UOMO FUORE SERIE - Metro Croce (ITA)
L'INEDUCABLE - Börjo Windfeldt (SWE)
ORPHEUS IN DER UNTERWELT - Hans Haldenwang (CHE)

NATURA DI DEFENDERE - Gionio Rivolta (ITA)
for its informative nature
DORMO, DORMO PO, MI SVEGLIO ED HO SONNO - E. Domenica de Costa / Giordano (ITA)
for the topicality of the subjects covered and the spontaneity of the language
NEVER ENDING STEPS - Club der Differdange (LUX)
for the efficient simplicity with which the stages of life were visualised
LA TOILE D'ARRAIGNEE - Carlos de Vasconcelos (PRT)
for having shown that it is possible to live in spite of the clash between nature and technology
TRITSCH-TRATSCH-POLKA - Othmas Gutmann (CHE)
for graphic imagination and technique
JESENICE-STUTTGART ITD - Miro Mikuljan (YUG)
for the human warmth with which the author has approached a very topical problem, felt in many countries.


SARANGI - WEIN (AUT)
for the acute sense of observation of which you are a witness
DER REGIONEADER - Tschokl (AUT)
for superior film technique
RETOURNE LA OU LE SOLEIL NE MEURT PAS - Kral/Bick/Rogowski (POL)
for sybolic portrayal of metphysical dualism

NEIN - Lutz Adams (DEU)
for the impact with which the author presents his message concisely
FRAU TRUDE - Gerhart Spieth  (DEU)
for the successful combination of illustrations in traditional and revolutionary styles
NUR EIN POET - Otto Horn (DEU)
for the excellent biographical evocation of a personality who had a far-reaching political significance
MUTANTY - Roger Peirsman (BEL)
for remarkable illustration of a science-fiction theme
LA DAME DE NULLE PART - Michel Babut du Mares & Leon de Ville (BEL)
for the subtle way in which the unusual emerges from everyday life
LE GARCON DU PAANAJAVI  - Ole Tarvonen (FIN)
for the bucolic freshness and love of nature that emanate from this film
CHE 68 - Arvo Laitinen (FIN)
 for the convincing power of a simple parable
LA DERNIERE CLASS - Chavance/ Cuer/ Durand (FRA)
for the effective way in which it ironically presents the current malaise in education
FOURMILIERE BY NIGHT - Jacques Marry (FRA)
for the persuasive use of the procedures of the cinematographic technique, in order to oppose the insane agitation of the human anthill to the eternal course of time
LA PLAINTE - Michel Body (FRA)
for having been able to evoke an aspect of the citizen-authority relationship through a stripped-down and spiritual design.
LE SOLEIL VERT - Jerzy Ridan-Kurz (POL)
for sincere presentation of a human problem
DE BOUCHE A OREILLE - Engelbert Kral (POL)
for a powerful gag simply presented